The Traktor Kontrol S5 might not be as feature rich as its big sibling, the S8, but how does it stack up as a new four-channel controller?
To gauge reaction, Numark posted an NS7II with screens. Then they went and made it into the NS7III. Mark sees if his favourite controller got better still.
The Tibo Urban 500 is an all in one controller, sound, and lights in a mobile-pulpit like box. Mark Settle puts his back out moving it around for a review.
At launch, the Pioneer DJ DDJ-SZ wasn’t exactly ready for the market. But after some fixes, Andrew Unsworth lays his hands on one and writes words.
The Akai Pro APC40 is iconic. And now the sequel – the APC40 MKII – is here, and Isotonik’s Darren E Cowley put his Ableton Live knowledge to good work.
NI has lopped the end off of a S8 and called it a Kontrol D2. Jared got a pair and used them with his S8, turntables, and just about anything he could lay his hands on. He wrote many words, and named it a review.
If you’re going to use software, it’s a safe bet that the hardware designed for it is going to be pretty hot. Such is the case with the Ableton Push. DJWORX teamster Darren E Cowley of Isotonik Studios impulse-bought one, but after the shortest play ended up boxing it up and putting it on to of a wardrobe to do house renovations. But having dug it out again, he sees what all the fuss is about. Here is his very detailed review, with a second opinion from Mark Settle.
Seems that Serato is inviting more companies to eat at their table, and Gemini has been invited to bring their own particular cost effective brand into the fold. The Slate 4 controller is a fully featured offering coming with Serato DJ Intro, but that doesn’t mean it isn’t fully featured. Jared takes one for an extended spin, and writes a stable amount of opinion.
As the DJ scene has adopted software and especially the built-in effects, the need for external effects units has decreased. But that hasn’t stopped Pioneer DJ from putting out solid follow-ups to their EFX units. Last week Ray looked at the daunting RMX-1000, and this week it’s the return of the RMX-500, the effects unit for the rest of us. Ray plugs it into a corner of his epic setup and makes noises with it.