ICE Headshell In case of Emergency head shell DJ (2)

REVIEW: DDC ICE (in case of emergency) DJ Headshell

REVIEW: DDC ICE (in case of emergency) DJ Headshell

LINK: DDC  |  PRICE: €43.50

INTRODUCTION

DJ booths are war zones. I’m sure many of you have experienced the crime scenes depicting every form of harm that can been metered out by careless DJs upon turntables that aren’t theirs. Like company cars, the temporary users couldn’t give a crap, and generally abuse the hell out of turntables that are generally thought to last for ever.

Luckily I’ve never walked into a scene where turntables aren’t working, but it does happen all too often. And while it can’t fix snapped tonearms, the DJs Dream Customs ICE Headshell gives you a fighting chance of resurrecting a seemingly silent turntable.

WHY ICE?

Let’s get this out of the way first. ICE stands for In Case of Emergency. They are not designed to be your go-to pair of headshells, but have been invented to bail you out in dire situations. So let’s not get all bent out of shape about tracking for sound quality. E-mer-gen-cies only.

So having established what this is — how does it work?  The ICE headshell is essentially a Technics type headshell modified with a minijack socket, which allows you to plug in a cable and hook up directly to your mixer channel’s phono input. And that’s it — an incredibly simple concept that just works. It amazes me that nobody thought of it before.

But a plug comes with a downside. Added weight has the potential to mess up stability, as can a thin cable that suddenly feels like ship yard rope when attached directly to your headshell. These issues are handled easily by adjusting the tonearm weight, and by running the cable in a way that it doesn’t drag the tonearm off track i.e. in parallel to the arm.

ICE Headshell In case of Emergency head shell DJ (1)

IN USE

I put the ICE headshell to the test with regular vinyl and DVS. And despite the added weight and wayward cable, it performed flawlessly. If you manage the cable correctly, you should detect no real difference in audio quality or tracking either. Indeed, I battered the hell out of my elderly Shure, and the ICE too it all without skipping, jumping, or otherwise performing in a less than stellar way.

One thing did occur to me — why can’t the ICE simply pass through the signal from the jack socket to the headshell connections? That way you could just have one headshell for everything. Perhaps it would require added bulk that a regular headshell can’t handle.

SUMMING UP

This has been a ridiculously easy review, partly because the ICE headshell has just one job, and that it does it perfectly — a word I don’t use very often. If you’re a turntable user who plays out regularly on other people’s gear, the ICE headshell is pretty much essential. It’s up to you if you buy one or a pair. But buy at least one because having read this review, and you happen to come across such a war zone in a booth, you’ll immediately regret not having heeded my advice.

GALLERY

The Old Owner
  1. Thanks for the review Mark!

    I would also love this headshell to be able to operate as a normal one too, but I guess we can’t have it all.

    One question though: Can the cable interfere with the tonearm when you reach more in the center of the record? Having one cable hanging around your tonearm is not a very good thing, especially in dark club environments.

  2. Thanks for the review Mark!

    I would also love this headshell to be able to operate as a normal one too, but I guess we can’t have it all.

    One question though: Can the cable interfere with the tonearm when you reach more in the center of the record? Having one cable hanging around your tonearm is not a very good thing, especially in dark club environments.

    1. hey. We had a prototype that did just that. plugging in the jack connector would act as a switch, just like your cellphone would turn off the built in speakers when plugging in a headphone. Its a spring loaded switch built into the jack socket.

      We had to decide against it though:
      To wire it up with the original headshell connectors too, the jack would have to move one hole towards the front. (there is not much space underneath a headshell…
      as a result, it wouldn’t be possible anymore to mount a cartridge at its optimal position.
      It would sit too much towards the front, causing increased record and needle wear.
      I know this may not bother some people who just mount the cart SOMEWHERE and may come across snobbish to them, but we decided it would be unprofessional to sell a product that doesn’t allow the ideal cartridge position.
      So the current version is less fancy.
      But we can recommend its use 100 % and stand behind it.

      If we find a way to do it, maybe with other jack sockets, or mounting it in a different way, we’ll definitely make a switching version at some stage.

      Also if you REEEEALLLY want this, AT YOUR OWN RISK of damaged needles and records, we could CTO build a switching one right now for you, but once again, be warned, the ideal cart position would then not be possible…

      1. also you DO want it to switch, I.e. NOT piggy back.
        because sometimes, there may be summed mono on the original signal path, so you HAVE to kill it. otherwise you’d have summed mono on the bypass too.

      2. radikarl77, thanks for the reply. Indeed, if we are talking about this kind of a switch, I wouldn’t want it. My M44s are already causing too much wear on records.

        But how about supplying also your version of the RCA/mini jack, something with a much thinner cable, so it wouldn’t get in the way that much on the tonearm? Maybe even making some sort of clips, to mount the cable on the tonearm? I’m asking for this because having a cable hanging around the tonearm is never a good idea.

      3. To help a little…here’s what radikarll77 means by not having the cartridge at an optimal position and having to move the connector in the middle towards the front. I actually always had my cartridge at this angle so it wasn’t a big deal for me, but if your using a different kind of cartridge it probably won’t work so well.

  3. This really is such a simple idea, it really is hard to believe no-one thought of it before now. I can’t see any reason why the 3,5mm socket can’t be mounted in between the cartridge & head shell terminals. This would quite easily allow the headshell to operate as normal. Using a couple of thin tie wraps to fasten the cable on the tone arm would definitely make the cable less of an issue too.

      1. Sorry, I never saw ur post.
        Bummer, but that makes a lot of sense. Never thought about it pushing the cart too far forward. I also agree 100%. It needs to be a switching socket to avoid the possible effects of broken cables shorted to each other / ground.

  4. I cant say I’ve ever come across a turntable in a club so badly damaged that the cables inside the tone arm are faulty. Maybe i’m just lucky. Nice idea though.

    Could i suggest some sort of plastic clip on cable tie for the arm?

    The most common fault i come across is the tone arm lifter being loose and raising the arm slightly so that the needle skips.

    1. I’ll take the bait and answer that question. I’ve played with nearly every type and brand of DJ controller, CDJ, etc. In my experience, the turntable is THE superior way of controlling the playback of audio. It’s the most sensitive, tactile control surface…period.

      Honestly, I wish companies would try to build on the TT’s advantages and innovate, instead of trying to replace it with cheap stuff that can only get sort-of close or just saying, “oh…that’s not really important anymore.” These ideas are then echoed by newbies that don’t know any better or bitter, less skilled DJs that haven’t mastered their craft.

      As a music producer, I can approximate the sound of a guitar riff with multi-sampled kontakt libraries and amp-sim plugins, but I know that doesn’t mean that real guitar playing (or players) are “a waste of time”. There’s a whole world of technique, expression, and even room for innovation in actually touching vibrating strings on a piece of wood. The same thing goes for a motorized platter that controls the play-head of audio.

      1. Did you read that hate filled diatribe that someone wrote here about how traditional Dj’ing sucks? I was just making a dig at him. I love traditional DJ’ing BTW.

  5. got me thinking about all things tonearm(like putting one on a v7)
    so i finally got motivated to make my t92 a straight-arm.
    bent it as straight as i could, took off about and inch in length, and it works great(in part because when i bent it, it got a slight dip in it)

    1. You are wasting your time with trying to troll these interesting conversations and comments. Go back to 2005 and start your argument there maybe someone is interested…?

    2. Everyone has moved on from “that” article Tony. It’s last week’s news. How about you be supportive of the people doing something for turntables… like the very product on this page? I’ll start deleting posts that take discussions off topic.

      1. By Support, Do you mean the ability to hook up turntables to the S8 and play vinyl records? Correct me if I’m wrong? but the S8 doesn’t offer DVS support, which means no waveforms, que points, nothing. Hooking turtables up to an S8, turns the S8 into a featureless mixer. The biggest joke in Dj’ing right now are folks trying to push the S8 off as being a tool for the turntable DJ.

                    1. Totally. They will also kill your firstborn child and microwave a cute kitten if you don’t use their stuff while DJing.

                      WTF dude? You keep bitching about this all the time and you didn’t even bother to read one single review of the S8…?
                      Get over it, don’t buy their stuff. Have fun DJing and stop hating about other DJs and ways of DJing because thats what #realdjing is about!

                    2. Totally. They will also kill your firstborn child and microwave a cute kitten if you don’t use their stuff while DJing.

                      WTF dude? You keep bitching about this all the time and you didn’t even bother to read one single review of the S8…?
                      Get over it, don’t buy their stuff. Have fun DJing and stop hating about other DJs and ways of DJing because thats what #realdjing is about!

                    3. Did you say the same thing to the other dude hating on Scratch DJ’s? Doubt it. I’m not hating on anything. And I’m not buying NI anything. They wont get another penny from me (and every other turntable DJ, Hiring Shiftee isn’t going to change that). Read a review about the S8? Why waste my time?

                  1. NI likes to market their products as the future of DJing but i don’t see any of their products in the DJ booth, mostly in bedrooms you’ll find it but when a company tries to dictate what the future is then all of a sudden it’s ok to you because a company isn’t just 1 person, i would say NI get over yourself and make a better mixer.

  6. One thing that should be mentioned is that the only reason ICE is even needed is the over-hyped reputation of Tech1200s and the amount of bad ones installed. Every other pro-level TT allows you to easily swap out the parts that normally wear out like RCA cables, but there are probably 1000s of Tech1200s floating around that have all sorts of mechanical and electrical issues…yet, the reputation for being rock-solid, reliable, and the standard keeps them in service. I know if I walk into a gig and there’s house 1200s, there at least a 50-75% chance there going to be some kind of issue somewhere. Thank god for Pioneer getting in the TT game.

    1. Dont expect any equipment to work 100% when you spill beer and drinks over it for 20 years and abuse it like its a football.

      The Pioneer PLX has the pitch slider soldered to the mainboard, try to replace that after 20 years, you will have to take the mainboard out and carefully solder and desolder the pitchcontrol with the risk of damaging the mainboard.

      I got RCA sockets build into my Techs for cheap and i won’t be getting the PLX any time soon with the risjk of having bad bearings in the tonearms.

      1. I would like to know how they stand up to 1200s and other hanpin like reloop turntables. Pioneer need to lend you a pair of plx-1000 for a review ASAP! Perhaps together with a djm S9?
        I would like to have ultra-pitch, but if the quality is bad, I’ll stick to my pair of 1210 m5g.

        1. There is a review already, just google it. Someone actually bought it and compared the internals too. Doubt you’ll see such detailed review on DJWORX – they don’t dismantle things. And they don’t do such negative reviews too, especially for Pioneer products.

          1. http://d3qk4yk8nq0n55.cloudfront.net/wp-content/uploads/2015/04/reloop-rmx22i-rmx33i-1.jpg?iv=26

            http://d3qk4yk8nq0n55.cloudfront.net/wp-content/uploads/2014/07/xone-23-19.jpg?iv=26

            http://d3qk4yk8nq0n55.cloudfront.net/wp-content/uploads/2013/02/dj_tech_dif_1s_14.jpg?iv=26

            http://d3qk4yk8nq0n55.cloudfront.net/wp-content/uploads/2014/11/numark-nv-22.jpg?iv=26

            Actually we do dismantle things, and are the only site that does and always has done. Pretty much every mixer and controller gets opened up and if not pictured at least gets commented on. If we can open it, we do, but it’s not always necessary. But with review product generally being loaners, it’s not in our interests to crack open units that have to go back. If we break something, we have to pay for it.

            The review you’re talking about is here: https://www.youtube.com/watch?v=mNzMcH2ZbtU. It’s famous and unique for its detail and depth. I doubt that there are many people who could review to that level of detail. None of us are service technicians, but we do our best, which generally has proved to be more than good enough for most people. But we can never please everyone.

  7. wish this came with a 7″ arm, with a suction cup(just a first thought) base. i’d get one, take a few parts out of this v7, in the top left corner(to have a flat place to mount the arm) and make a 7″ dd turntable. you dont even need a counter-weight for straight arm scratchers, especially that short.