My feelings about technical specs are well known. I could not give a rat’s arse about the numbers that are usually proffered in press releases and splashed across web pages, and prefer to use my eyes, ears, and hands to inform me if something is… right. But some people live for this stuff, and make their buying decisions only if the numbers are in the range that ignites their GAS.
Wow and flutter specifications definitely fall into this category. You’ve almost certainly heard of them, some of you may have a vague idea of what they mean (the clue is in the name), while others will know exactly what they mean, probably have sophisticated measuring equipment, and religiously measure their equipment to make sure they stay calibrated. I’d warrant that most of you don’t fall into the last category, so here’s an over-simplified explanation:
WOW
Just say wow… and again… and again. That should be enough to give you the basic idea. Essentially wow is a once per revolution fluctuation in rotational speed. If your turntable sucks (I have yet to come across one so bad though), wow will manifest itself clearly as undulation pitch changes when listening to continuous tones. It’ll sound like the chorus of this. Such Kate.
FLUTTER
Imagine wow as a sine wave. Now superimpose that smooth up and down wave with another sine wave. That’s flutter. It’s most likely not as smooth as that, and is dependent on all manner of things. This impacts on music on a different level, and can change the sound of an instrument (strings and wind instruments for example). If you’ve listened to a piece of music on diverse systems and it just sounds different — that’s possibly flutter at play.
That’s painting broad strokes that will doubtlessly get some of you posting thesis level rebuttals. And to simplify it even further, wow and flutter is largely lumped together into one overall number, and for DJ turntables that number is always under 0.2%, and ideally 0.1%. For the record, Technics 1200s rate at 0.01%, a number that lends to their stellar reputation, and is the rated spec of new Reloop turntables too.
BRACE YOURSELVES
Now… to get a controversial statement out of the way — conversations with clever people whose opinion I trust inform me that from a DJ perspective, wow and flutter doesn’t matter. If you can’t hold a mix on a decent DJ turntable, it’s likely to be down to issues like bad pressings or inherent musical pitch changes. Or frankly a need to practice more.
But it is generally agreed that a wow and flutter specification that’s closer to zero does speak to the quality of the motor and ergo the turntable itself. It also enhances the feel good factor necessary to drop serious coin on a record player.
But it’s not just about the quality of the mechanics. Imagine if you will that music used to be recorded to reel to reel. And if that machine was in poor condition, then the source recording could have wow and flutter before you’ve even got to a dodgy pressing plant and started playing that off-centre and warped vinyl on a truly battered turntable. It’s a confluence of shitty processes that conspire to make your music sound even shittier. I would imagine that things are a tad tighter these days.
Let’s not forget the environmental variables too. An unstable mains power supply has an effect. And if you live in an area (like I do) that’s prone to power cuts and subsequent surges, these all impact on your equipment and over time will degrade the operational effectiveness of your turntables. It’s a small amount of course, but all these variables smashing into poorly produced vinyl compound to make for a potential car crash of a playing and listening experience.

MEASURING IN THE MOBILE AGE
Being the contrary bastard that I am, when it was clear that people actually fixated on the numbers and weaponised them in comments, I set about learning more about this stuff, and finding ways to measure turntable wow and flutter. I needed to be armed and ready to fend off the attack from people smarter than myself.
Now there are a number of ways to measure wow and flutter. You can buy expensive meters on eBay and $700 software/vinyl packages that go someway beyond delivering a number around the 0.1% mark. But I discovered iOS apps that would apparently do the same thing for a fraction of the cost.
The first was the Dr Feickert PlatterSpeed app which used in conjunction with the accompanying 7″ test vinyl would deliver wow and flutter reading just by holding your phone in the air and picking up the audio. iOS 11 and vinyl production issues saw this discontinued not long after I bought it. Bugger.
More recently, I’ve discovered RPM, an app that uses the iPhone’s accelerometer and measure platter speed just by laying your phone on the platter and pressing play. I like this approach as it removes potential pressing issues and measures the platter directly without audio at all.
Finally Turntabulator is a fun app that in its quirky way tells you the accuracy of your turntable. It doesn’t deliver wow and flutter figures, but watching your iPhone spin on the platter while keeping the 33.34% readout absolutely steady is fun.
These methods however depend on the effectiveness of the iPhone’s speaker to pick up live audio, and the accelerometer being placed just so on the platter. But what if there was another way, one that was more accessible to a huge number of DJs?
AN APP TO READ DVS TIME CODE…
…control signal, noisemap… call it what you will. But that high pitched whine emanating from your turntable is the thing that pulls digital audio kicking and screaming from your laptop, ironically while screaming into your laptop. It is a continuous tone, carefully calibrated to run for the full side of of piece of vinyl running at 33 or 45 rpm.
Traditionally, 3K is the desired resolution of the sine wave that’s used for wow and flutter measurement. And you have to suffer said high pitched whine for a good 30 seconds to get a solid measuring sample.
My idea is to play 1 or 2K control signal straight into your mobile device or desktop, have it do the analogue to digital conversion directly, and then via quick maths and clever stuff, programatically deliver the wow and flutter numbers back to your screen without having to suffer the annoying tone in your ears. And there’s actually no reason why a regular 3K sine wave record couldn’t be used either. As long as the app knows the input source and has been coded to deal with it, then it should work.
Now having asked some of those smarter people, this is more than possible. Serato does this measurement and recently made it into a feature in Serato DJ 1.9.6. And I’m led to believe that Traktor has done this for a very long time too. So wow and flutter correction is done in some DVS software anyway, thus making it possible to deliver those important numbers back to those who really want them. There’s nothing stopping them adding this as a few numbers in the interface right away.
BUT WHY DO IT AT ALL?
Three reasons spring to mind:
- It’s a good way to check that your turntables are in good shape.
- You can make sure that those new turntables with amazing specs measure up to the hype.
- Because you can. It’s reassuring to have the power of audiophile dark arts at your disposal.
There’s also a fourth, and that’s to make some money. Mercenary I know, but if the idea works, then it has value. I know because I have paid good money for such an app. Done right, it’s a great diagnostic tool, but it’s also possible to create a database that can feature all kinds of turntables. This could be used to create a definite list of turntables along with their quoted and real wow and flutter specs.

INTERESTED?
I’m sure that I know people who could knock up a barebones version in reasonably quickly. But a more polished version is the one that has the real commercial value. For the right price, I’m convinced that thousands of people would buy this, DJs and audiophiles alike. An entry level version could have a basic test and forget operation, and perhaps a slightly more expensive pro version that keeps a history of different turntables, compare against other users, and the ability to share the results.
If anyone is interested in the app side, hit me up. I’d love to work on such a thing from a design, usability and branding perspective. I think there’s a genuinely useful and commercially viable tool just waiting to be made here.
One last thing — if, inspired by this post, you go ahead and add it to your software, or make an app of your own, a little credit would be welcome. It’s what keeps people coming up with new features.
WOULD YOU BUY IT?
While I know a commercial app maker who didn’t see any commercial value in it, I definitely do and would a few quid for the basic version, and maybe a tenner for the full version. The question is, would you?





I wouldn’t be interested in a wow and flutter app, but I would be interested in a suite of tools that are important for DJs. I can see a small suite of tools that include a dB meter, a simple RTA, a signal generator with tones and noise, the wow and flutter tool, a platter speed tool, etc. These would all be tools that wouldn’t require anything except the iPhone (no external audio interface). Maybe a bubble level, and vibration graph would be helpful as well. You could add in information on how to set up needles and headshells, etc. I could see something like that being very useful.
Bubble level could be replaced with iPhone accelerometers reasings maybe?
I’d be interested to know the equivalent values and associated error in the master cutting / lathe / pressing process. It might be that the playback error is negligible compared to the input error. You’d need some kind of perfect reference turntable to check against I suppose.
Also, how is wow and flutter substantiated in the factory? Tachometer on the platter strobe dots?
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There are way too many factors to take into account. If you want an interesting simple experiment to do. Over your next few gigs, play the same tune in Serato with quartz lock engaged while capturing your screen. Now go back and compare the pitch fluctuations between your gigs. Humidity, temperature, power deliver, pressure, and leveling will all affect an electric motor. Now you couple that with grooves meing slightly off center in a pressing along with the natural warping of vinyl over time.
You mentioned quality of the motor and AC mains as factors, but also there is platter weight. Heavier platters (or adding extra weights) conserves momentum so motor/power variations are smoothed out.
I once bought a Bob Marley Legend record from the bargain bin at the record shop. The spindle hole was off center. Enough that it was unplayable at a gig.
What I wonder is could the Phase wireless DVS system be used to remove these rotational variations when digitizing vinyl? These rotational variations are essentially the doppler shift in audio, it should be easy to correct if you know how much and where to apply correction.
Traktor does this adjustment (although not perfectly) already. Im not sure if Serato does or not. Rekordbox DJ does not.
I’m talking about something else. DJ software would not apply this correction when transferring vinyl to WAV file. What I mean is I have my favorite vinyl record and want to record it without wow and flutter.
Once I have it in my digital format, DJ Software can play it back and correct the playback, but it will not correct the original recording.
Many years ago I used to service SL’s for all record shops & clubs in my area. I used a EMI test record using 1, 3 & 5Khz test tones & a frequency counter to check wow & flutter & set pitch. The SL’s were only ever in spec whilst on quartz-lock, as soon as you adjusted the pitch, that amazing wow & flutter spec flew right out the window. Considering what many of us (older) dj’s learnt to spin on (1/4″, cassette & belt drive’s), that ‘teensy’ amount of fluctuation really meant nothing at all. And as your article correctly says, if you cant mix with that – you need more practise! I think I would purchase an app like this, if only just out of curiosity & to see how modern technology compares to the old analogue way of measuring. Interesting article though. Thank you!!
You’re welcome.
This is why the Lunatic Fringe High End Audiophiles moved back to high torque rim drive turntables – the stylus, as it has to negotiate large fluctuations in the record groove, causes drag (I will leave the Vector Analysis up to the reader), which causes audible speed variations.
I give just as much credence to that as I do this whole article.
Awww c’mon — now my feelings are hurt. ;)
I had to look up rim drive turntables. And then I clawed myself out of the audiophile black hole that was sucking the very life out of me.
I’m glad you made it out OK! $1000.00 one meter interconnects are just the tip of the iceberg!!
It’s easy for us to have a giggle and mock audiophiles. Looking past the people who fall the snake oil bullshit that has no basis in fact, I’m sure that there are golden eared people who can genuinely tell the difference sonically with a $1000 per metre interconnect. But I have to ask if that microscopically slight difference is worth the extreme sums of money.
I’d love a half decent setup with an Eames lounge chair, if only to satisfy my middle class middle aged status. But I’m very happy with the quality that comes out of my MBP and wireless Beats headphones. I can think of way better things to drop several thousand on. Like a better MBP for example.
Agreed. With a little common sense, it is probably still possible to put together a reasonably priced, all analog system, that can make you question the validity of turning something as complex as music into all 0’s and 1’s, and then back again!
“I’m sure that there are golden eared people who can genuinely tell the difference sonically with a $1000 per metre interconnect.”
I’m not. You can probably count the number of acoustic products in the world that are so well-designed that the speaker cable is the limiting system performance factor on one hand.
Most companies selling ridiculously expensive interconnects use a disturbing amount of technical-sounding yet meaningless gibberish in their marketing copy, e.g. “time-aligned”, “phase-coherent.” The worst offenders refer to the impact of the very real transmission line effect, which doesn’t become apparent at audio frequencies until the cables are about 3km long.
Electrons move through any decent quality conductor at close to the speed of light. The skin effect only becomes a significant factor at audio frequencies in copper cables larger than 14ga, and even then the change in resistance is slight, and unlikely to have a significant filtering effect compared to the impact of manufacturing variations between drive units.
I wrote:
The splash screen on the newly updated RPM iOS app:
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