When you’ve got the most revered DJ headphones in your roster, why on earth would you bring something else out? Well that’s exactly what Sennheiser has done with the HD8 DJ headphones. But they’re not just another HD25 variant and instead go for a different market. Jared Helfer wears, listens, and writes. And fails to break them too.
Headphones have to a lot these days. And the Reloop RHP-30 headphones attempt to work for DJs, producers and casual listeners. Mark Settle wears and writes.
While the Sennheiser HD25 has reigned supreme for DJs, the NOCS NS900 DJ headphones aim to turn your head a little. Arkaei’s head is more than turned.
Brand blinkers have no place on DJWORX. So judging the Urbanears Zinken DJ headphones on merit only, Dan Morse really likes what he finds.
DJ headphones break. Well all the others do except the GermanMaestro GMP 8.35D JFB headphones. We threw them up and down the worxlab for fun.
V-MODA are pro DJ headphones with lifestyle aspirations… or is it the other way round? Both actually, and the V-MODA Crossfade M-100 wear both hats well.
Cosmetic tweak or worthy upgrade? We A-B tested the new HD 25 Aluminium headphones against a regular pair and scribbled down our findings.
We looked at the Mixrs and liked them. But can the Beats By Dre Pro headphones get past the brand perception and prove themselves worthy?
Beats Headphones get little love in the DJ world. But the Beats By Dre Mixr DJ headphones really should. Cast aside your blinkers and you’ll find very good cans.
Having covered more regular headphones than anyone else, it’s now time to turn our attention to in-ear ones. The Allen & Heath xone XD-20s have our complete attention.